Art History 301
Modern Art and Architecture
Slide List, October 9-30


Developments from Cubism
Juan Gris, Bottle of Banyuls, 1914 (fig. 248)

Orphism: Robert Delaunay, Simultaneous Contrasts: Sun and Moon, 1913 (fig. 250)

Purism:
    Fernand Léger
        Contrast of Forms, 1913 (fig. 252)
        The City, 1919 (fig. 253)
        Three Women, 1921 (fig. 426)
    Charles –Édouard Jeanneret (Le Corbusier), Still Life, 1922 (fig. 254)

Futurism:
    Giacomo Balla
        Dynamism of a Dog on a Leash, 1912 (fig. 262)
        Mercury Passing before the Sun as Seen through a Telescope, 1914 (fig. 263)
    Gino Severini, Dancer at the Bal Tabarin, 1912
    Umberto Boccioni
        Dynamism of a Soccer Player, 1913 (fig. 258)
        The States of Mind: The Farewells, 1911 (not in text)
        Development of a Bottle in Space, 1912 (fig. 260)
    Antonio Sant’ Elia, Project for a Futurist City, c. 1914 (fig. 163)

 Serge Diaghilev and The World of Art, Ballet Russe
       Leon Bakst, designs for Ballet Russe (not in text)
       Natalia Gontcharova
        Green Forest, c. 1912 (fig. 264)
        Sets for Le Coq D’Or, 1914 (not in text)
    Pablo Picasso, sets for Parade, 1917
    Henri Matisse, sets for Le Chant du Rossignol, 1920
  Liubov Popova, The Traveler, 1915 (fig. 265)
  Kasimir Malevich
        Woman before an Advertisement Column, 1914 (fig. 266)
        Black Square, 1915 (not in text)
        White on White, 1918 (not in text)
        Suprematist Painting (Eight Red Rectangles), 1915 (fig. 267)
Vladimir Tatlin, Counter-Relief, 1917 (fig. 269)
Alexander Rodchenko, Suspended Construction in Space, 1920 (fig. 270)
Vladimir Tatlin, Model for Monument to the Third International, 1919-20 (fig. 354)
Leonid Alexander and Victor Vesnin, Project for the Palace of Labor, Moscow, 1923 (fig. 355)


De Stijl:
    Piet Mondrian
        The Red Tree, c. 1909
        Flowering Apple Tree, c. 1912
        Composition No. 10, Pier and Ocean, 1915 (fig. 274)
        Composition (Blue, Red, and Yellow), 1930 (fig. 276)
    J. J. P. Oud, Workers’ Housing Estate, 1924-27 (fig. 351)
    Gerrit Rietveld, Schroeder House, Utrecht, 1925 (fig. 352)

Fantasy and Dada
Henri Rousseau, The Dream, 1910 (fig. 278)
Marc Chagall, I and the Village, 1911 (fig. 279)
Giorgio de Chirico
        The Soothsayer’s Recompense, 1913 (fig. 280)
        The Nostalgia of the Infinite, 1913-14? (fig. 281)
Dada: poets Tristan Tzara, Hugo Ball
Jean Arp
        Arrangement According to the Laws of Chance, 1916-17 (fig. 283)
        Before My Birth, 1914 (fig. 284)
        Mountain, Table, Anchors, Navel, 1925 (fig. 285)
Francis Picabia, Amorous Parade, 1917 (fig. 295)
Hannah Höch, Cut with the Kitchen Knife, 1919 (fig. 299)
George Grosz, Remember Uncle August, the Unhappy Inventor, 1919 (fig. 298)
Kurt Schwitters
        Merz 94 Grünflec, 1920 (fig. 300)
        Merzbau (detail), c. 1924-33

Marcel Duchamp
        Nude Descending a Staircase, No. 2, 1912 (fig. 255)
        The Passage from Virgin to Bride, 1912 (fig. 287)
        Chocolate Grinder, No. 1, 1913 (fig. 289)
        The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), 1915-23 (fig. 288)
        Bicycle Wheel, replica of 1913 original (fig. 290)
        Bottlerack, replica of 1914 original (fig. 286)
        L.H.O.O.Q., 1919 (fig. 291)
        Why Not Sneeze, Rose Sélavy ? replica of 1921 original (fig. 292)
        Tu m’, 1918 (fig. 293)
        Monte Carlo Share, 1924 (see Chipp, p. 395)

Surrealism
André Breton, 1924 Manifesto of Surrealism; Surrealism and Painting, 1928
André Masson
        Battle of Fishes, 1927 (fig. 305)
        Iroquois Landscape, 1943 (fig. 306)
Max Ernst
        Two Children Are Threatened by a Nightingale, 1924 (fig. 303)
        To 100,000 Doves, 1925 (fig. 309)
        Gray Forest, 1927 (fig. 310)
Joan Miró
        The Hunter (Catalan Landscape), 1923-24 (fig. 307)
        The Harlequin’s Carnival, 1924-25 (fig. 308)
Salvador Dali
        The Persistence of Memory, 1931 (fig. 312)
        Soft Construction with Boiled Beans: Premonition of Civil War, 1936 (fig. 313)
Yves Tanguy
        Mama, Papa is Wounded! 1927 (fig. 314)
        Time without Change, 1951 (fig. 315)
René Magritte
        The Phantom Landscape, 1928-29 (fig. 316)
        The Human Condition I, 1934 (fig. 317)

Dora Maar
        Portrait of Pere Ubu, 1936 (not in text)
        Untitled, 1934 (not in text)
Man Ray
        Minotaur, 1935 (not in text)
        Les Larmes (Tears), 1932
Lee Miller
        Self-Portrait, 1933 (not in text)
        Fallen Angel—London Blitz, 1940 (not in text)
Eileen Agar, Angel of Anarchy, 1936 (not in text)
Meret Oppenheim, Object, 1936 (fig. 322)
Dorothea Tanning
        Maternity, 1946 (not in text)
        Guardian Angels, 1946 (not in text)
        Eine Kleine Nachtmusik, 1946 (not in text)
Louise Bourgeois, Quarantania, 1947-53

The Bauhaus; Walter Gropius

Walter Gropius and Adolf Meyer, Fagus Shoe Factory, 1911-16 (fig. 343)
Walter Gropius, Bauhaus, Dessau, 1925 (fig. 358)