Art
History 301
Modern Art and Architecture
Slide List, Nov. 11-Dec. 9
Exam #3
The International Style
Le Corbusier
Names and terms:
Purism
and L’Esprit Nouveau
Vers
une Architecture, 1923
Congres
Internationaux de L’Architecture Moderne (CIAM)
The
Athens Charter, 1933
Second Citrohan House,
1922 (fig. 360)
Pavilion of L’Esprit
nouveau, Paris Exposition des Arts Decoratifs, 1925 (not in text)
Villa Savoye, Poissy,
1928-30 (fig. 341)
Project for a Contemporary
City of Three Million Inhabitants, 1922 (fig. 361)
Ludwig Mies van der Rohe
German Pavilion, International
Exhibition, Barcelona, 1929 (fig. 363)
Farnsworth House, Plano,
Illinois, 1946-51 (not in text)
Henry Russell Hitchcock and Philip Johnson, The International Style
(exhibition, Museum of Modern Art, 1932)
Skyscrapers; later Frank Lloyd Wright
Cass Gilbert, Woolworth Building, New York, 1911-13 (not in text)
William van Alen, Chrysler Building, New York, 1930 (not in text)
Shreve, Lamb, and Harmon, Empire State Building, New York, 1930-32 (fig.
364)
Hugh Ferriss, drawing from The Metropolis of Tomorrow, 1929 (fig.
366)
Raymond Hood et al., Rockefeller Center, New York, 1931-37 (fig. 372)
Frank Lloyd Wright:
Administration Building, S. C. Johnson and Son, Racine, 1936-39 (fig.
369)
Taliesen West, Scottsdale, Arizona, beginning 1938 (not in text)
Usonian house (not in text)
The Disappearing City,
1932
Kauffmann House (Falling Water), Bear Run, Pennsylvania, 1936 (fig. 371)
Solomon R. Guggenheim Museum, New York, 1957-59 (fig. 370)
The School of Paris
Les Peintres Maudits:
Jules Pascin, Claudine at Rest, c. 1923 (fig. 374)
Chaim Soutine, The Communicant, 1927 (fig. 375)
Amedeo Modigliani
Reclining Nude
(Red Nude), 1917-1918 (fig. 376)
Portrait of Chaim
Soutine, 1914 (fig. 377)
Head, 1912
Henri Matisse
Decorative Figure
on an Ornamental Background, 1927 (fig. 384)
Pink Nude, 1935
(fig. 386)
Sorrows of the King,
1952 (fig. 387)
Chapel of the Rosary,
Vence, 1951 (fig. 388)
Pablo Picasso
Minotauromachy,
1935 (fig. 389)
Guernica, 1937
(fig. 391)
Julio Gonzales
Woman Combing Her
Hair, 1936 (fig. 405)
The Montserrat,
1936-37 (fig. 406)
Jacques Lipchitz
Mother and Child II,
1941-45 (fig. 409)
Prometheus Strangling
the Vulture II, 1944-53 (not in text)
International Abstraction
Naum Gabo
Kinetic Construction:
Vibrating Spring, 1920 (fig. 435)
Linear Construction,
Variation, 1942-43 (fig. 410)
Antoine Pevsner, Construction in the Egg, 1948 (fig. 412)
Henry Moore
Recumbent Figure,
1938 (fig. 417)
Shelterers in the
Tube, 1941 (fig. 420)
Madonna and Child,
1943-44 (fig. 421)
Barbara Hepworth, Sculpture with Color and String, 1939-61 (fig. 424)
Vasily Kandinsky
On White, 1923
(fig. 428)
Tempered Elan,
1944 (fig. 429)
El Lissitzky, Proun, 1924 (fig. 430)
Josef Albers, Homage to the Square, 1961
Laszlo Moholy-Nagy
Composition No. 2,
1923-24 (fig. 433)
Light-Space Modulator,
1921-30 (fig. 434)
American Art: 1900-30 [the Armory Show, 1913]
Ash Can School (the Eight) [Robert Henri, The Art Spirit, 1923]
Robert Henri, Laughing
Child, 1907 (fig. 441)
John Sloan, Hairdresser’s
Window, 1907 (fig. 442)
Alfred Stieglitz and Gallery 291
John Marin, Lower
Manhattan, 1922 (fig. 445)
Georgia O’Keeffe
Blue Morning Glories,
New Mexico, II, 1935 (fig. 448)
Cow’s Skull:
Red, White, and Blue, 1931 (fig. 454)
Arthur Dove, Abstraction Number 2, 1910 (fig. 447)
Marsden Hartley, Portrait of a German Officer, 1914 (fig. 449)
Joseph Stella, Battle of Lights, Coney Island, 1913 (fig. 450)
Precisionism
Charles Demuth, I
Saw the Figure 5 in Gold, 1928 (fig. 451)
Charles Sheeler, River
Rouge Plant, 1932 (fig. 452)
Synchromism: Morgan Russell, Synchromy in Orange, 1913-14 (fig,
453)
American and Mexican Art: the 1930s
Edward Hopper, Nighthawks, 1942 (fig. 455)
Thomas Hart Benton, Pioneer Days and Early Settlers, State Capitol,
Jefferson City, 1936 (not in text)
Ben Shahn, The Blind Accordion Player, 1945 (fig. 461)
Milton Avery, Yellow Jacket, 1939 (fig. 462)
Diego Rivera, The Fertile Earth, 1926-27 (fig. 463)
Frida Kahlo, Diego and I, 1949 (fig. 467)
Jose Clemente Orozco, Modern Migration of the Spirit, c. 1933
(fig. 464)
American Abstraction between the Wars
Alexander Calder
The Brass Family,
1929 (fig. 468)
Lobster Trap and Fish
Tail, 1939 (fig. 469)
Stuart Davis
Lucky Strike,
1921 (fig. 471)
Eggbeater No. 1,
1927-28 (fig. 472)
Early Abstract Expressionism
The Works Progress Administration (W.P.A.)
Federal Art Project (F. A. P.)
Hans Hofman, Composition, 1942 (fig. 479)
Lee Krasner, Untitled, c. 1940 (fig. 481)
Arshile Gorky
Enigmatic Combat,
c. 1936 (fig. 482)
Agony, 1947 (fig.
484)
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